Austin-baseddesignerJamieZuverza’sbiographyismoreinterestedinthecitythanhiswork.“AslongasmusichasbeenplayedonAustinstages,therehavebeenposterartistswhohavehadahandinitspromotion,”itsays,goingontopinpointtheVulcanGasCompanyasapivotalspaceinthecity’smusicalandaesthetichistory.Headthereinthe60sandyoumighthavecaughtMuddyWaters,the13thFloorElevators,oreventheVelvetUnderground,andseenworkdesignedbyTonyBell,JimFranklin,andGilbertSheltonoftheFabulousFurryFreakBrothers.

Thingschange,andAustin’smusicscenewasnodifferent,butnomatterwhatbandshavebeenenvogue,theposterartthatpromotesthemremainsastapleinthemusic-madTexantown.Andthat’swhereJamiestepsin.

Whilewe’velongadmiredJamie’swork,we’venotcaughtupwithhimsince,butovertheyearshe’sremainedanin-demandartisttochannelaband’soutputintoanA4size.Echoingvariousvisualaesthetics,notwoworksofJaime’sareeverthesame.

From“cut-upcollagesofsFrench,Spanish,andCzechsurrealismto







































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